Stanton Warriors are a British DJ and production duo associated above all with the late-1990s and 2000s breakbeat revival. Built around Dominic Butler and Mark Yardley, the…
Rebel Bass is a UK label operating in the overlap between breakbeat, UK garage and contemporary bass music. The available evidence places it in London and presents it as a platform built around club-facing low-end music rather than a single narrow genre lane.
Its public positioning stresses a boundary-pushing approach to breakbeat, UK garage and bass. That framing fits a strand of post-2000s UK dance culture in which labels move fluidly between broken beats, garage swing, rave references and heavier soundsystem pressure.
The name also appears in older discographic listings, including a Various release titled Rebel Bass Volume 2 from 2009. Because the available context does not fully clarify whether that earlier appearance belongs to the same continuous label identity or to a related earlier phase, it is safest to treat Rebel Bass as a name with at least some documented history in breakbeat-oriented circulation.
In editorial terms, the label sits closer to the modern breaks and UK bass continuum than to a purist revival project. Its niche is the zone where breakbeat production techniques, garage shuffle, bass-weight and festival or warehouse energy can coexist within the same catalogue.
The strongest artist association in the provided context is Stanton Warriors, whose Rebel Bass album sampler points to a tangible connection between the label and one of the most recognisable names in UK breakbeat. That link helps place Rebel Bass within a lineage that values DJ functionality, big-system impact and crossover appeal between breaks, bass and garage audiences.
Format-wise, the evidence suggests a label with both digital visibility and at least some vinyl presence. Bandcamp and an official website indicate a contemporary independent infrastructure, while Discogs and Juno references suggest circulation through the specialist dance-music ecosystem that still matters to collectors, DJs and genre followers.
For Optimal Breaks, Rebel Bass is relevant because it reflects how breakbeat culture has continued to evolve outside rigid genre borders. Rather than treating breaks as a closed historical style, the label appears to frame them as part of a wider UK continuum connected to garage, bass music and rave-derived club forms.
That makes Rebel Bass useful as a marker of continuity between classic breakbeat scenes and newer bass-led hybrids. Its identity is less about one canonical sound than about a shared rhythmic attitude: broken drums, sub pressure, club utility and a willingness to borrow from adjacent UK styles.
Although the available documentation is not detailed enough to map a full catalogue history with confidence, Rebel Bass can be described conservatively as a London-linked label and editorial platform for contemporary breakbeat and bass mutations. Its role is that of a conduit for DJs and producers working where breaks, garage and bass culture meet.
Within scene memory, Rebel Bass belongs to the part of the ecosystem that keeps breakbeat active by connecting it to current club language instead of isolating it as nostalgia. That alone gives the label a clear place in the broader story of UK-rooted broken-beat music.
