Brothers Of Funk is the long-running duo of DJ Storm and Johnny Dangerously, a name closely tied to the Florida breakbeat and electro continuum. Within the wider breakbeat map…
ElectroBreakz is a Florida-based breaks label associated with the US side of the breakbeat continuum, particularly the electro-leaning and club-focused strain that remained active beyond the first big commercial wave of the 1990s. The project is linked in available sources to West Palm Beach and to Brothers Of Funk, with Johnny Dangerously also appearing as a central name around the imprint.
In practical terms, ElectroBreakz sits in the orbit of the long-running American breaks network rather than the UK hardcore lineage. Its identity points toward a scene where Miami bass, electro, freestyle-inflected rhythms and polished breakbeat production continued to overlap in clubs, DJ pools and specialist digital platforms.
The label appears to have functioned both as an artist platform and as a branded outlet for a specific regional sound. Sources describe it as the home or definitive sound of Brothers Of Funk and Johnny Dangerously, which suggests a tightly curated imprint rather than a broad multi-genre catalogue.
Stylistically, the name is apt: ElectroBreakz is associated with breakbeat built from crisp drum programming, bass pressure and electro touches, often aimed at DJs who work the US breaks circuit. That places it close to the strand of American breaks that values groove, vocal hooks, synth energy and mix utility as much as underground credibility.
The available web context also points to a Bandcamp presence and a SoundCloud identity, indicating that the label adapted to digital-era circulation rather than belonging only to the vinyl-and-CD economy. That matters in the history of breaks, since many regional US labels survived by moving from physical DJ culture into direct online distribution.
Care is needed not to confuse the label with the older Electro Breakz compilation series issued in the 1990s through StreetBeat Records. Those compilations are relevant as a sign of the wider US market for electro and breakbeat, but they are not the same entity as the later Florida label operating under the ElectroBreakz name.
Within breakbeat culture, ElectroBreakz represents a specifically American continuity: a lane where electro, party breaks and club-ready production remained viable while other branches of breakbeat fragmented into nu skool breaks, bass music or EDM hybrids. Labels of this kind helped keep local DJ ecosystems supplied with functional tracks outside the mainstream spotlight.
Because the documented public footprint is relatively limited, it is safer to describe ElectroBreakz as a niche but scene-rooted imprint than to overstate its scale. Its importance lies less in crossover visibility than in serving a durable breaks audience and preserving a recognizable Florida/US breaks sensibility.
For listeners mapping the geography of breakbeat, ElectroBreakz is useful as a reminder that the culture did not evolve only through London, Bristol or big European hubs. West Palm Beach and the broader Florida circuit also sustained their own editorial logic, with labels like this acting as channels for regional producers and DJs.
Its legacy, then, is tied to continuity and scene maintenance: a label identity built around electro-flavoured breaks, close artist-label relationships, and the persistence of US breakbeat culture into the digital era.
