Woter is a Spanish DJ, producer and remixer from Villanueva de Algaidas, in Málaga, working in contemporary breakbeat. Active since 2013, he represents a current strand of Andalusian breaks rooted in DJ use, forceful rhythmic programming and bass-led club construction.
His work belongs to southern Spain's electronic circuit, of which Málaga remains one of the enduring centres. Alongside studio work, he has maintained a DJ profile connected to the regional breaks scene, with booking representation through Desnivel Music.
Samay Records has become the principal home for Woter's recent output. Releases such as “To The Limit,” “Break It Down,” “One More Day,” “I Remember” and “Ge To Funk” place his work within the label's club-focused breakbeat catalogue.
These records favour direct drum patterns, compact arrangements and low-end weight, while leaving room for hooks and tension-building breakdowns. The result is functional dancefloor music with a clear relationship to the mixing practices of Andalusian breaks.
Woter's catalogue also extends beyond Samay. His work has appeared through Br8kn Records, ElectroBreakz, SOUNDSYSTEM BASSROCK, Architektur Records, Diablo Loco and Sound Perfect Breakz Records, reflecting an active position across the Spanish breaks and bass ecosystem.
At Br8kn, his collaborations with Bazco form an important part of that catalogue. Tracks including “Two Guns,” “Power,” “Final Round” and “Cinematic” show a recurring creative partnership, later continued on their remix of Shockwave's “The 2nd Day.”
Collaboration is likewise present in “Everyday” with Pit Voorhees and “Knives” with J-Break. His connections with BLOW (SP), Brothers Bud and J-Break also situate him within a network of producers working across the present Spanish breakbeat circuit.
“Rave Revolution,” released through ElectroBreakz, is among the tracks associated with his harder club-facing side. The 2025 remaster of “Badman” for SOUNDSYSTEM BASSROCK further underlines his interest in revisiting material for contemporary breakbeat sets.
Remixing is a parallel part of his practice. His versions of Darude's “Sandstorm,” Darkus & Paul Bassrock's “Skin Out,” and Shockwave's “The 2nd Day” translate recognisable material into his own breaks-oriented vocabulary without abandoning the directness required by the dancefloor.
His 2025 releases, including “I Remember,” “Ge To Funk” and “Knives,” kept that output moving between Samay-led solo work and collaborations. “Bring The House,” “Secret Investigation,” “Another Round,” “Mystery,” “Bam Bam,” “Live It Up,” “Break Me Down” and “Éxtasis” further map a prolific period of DJ-minded productions.
In 2026, tracks such as “Worldwide,” “Moment,” “Close Your Eyes,” “Everyday” and “Cinematic,” as well as appearances on Samay compilations, continued that momentum. Woter's work stands as a focused contemporary expression of breakbeat from Villanueva de Algaidas: built for circulation between DJs, clubs and a scene that remains actively productive.