1111

1111, pronounced “eleven eleven”, is the electronic club alias of UK vocalist, songwriter, producer and DJ Lauren L'aimant. Within the breaks and bass continuum, the project sits where vocal writing, club functionality and sleek modern sound design meet.

L'aimant was already active as a vocalist and writer before 1111 emerged as a more defined electronic identity. That background matters: the project does not approach breakbeat only from DJ utility, but also through songcraft, voice and atmosphere.

As 1111, she has been associated with a polished, emotive strain of electronic music that can move between bass pressure, broken rhythms and more song-led structures. The result is a profile that works both in listening contexts and in club circulation.

What distinguishes 1111 in this space is the balance between vocal identity and rhythmic intent. Rather than treating the voice as an ornamental layer over club tracks, the project tends to integrate vocal presence into the architecture of the production itself.

That gives 1111 a place in a broader UK continuum where electronic songwriting, bass-weighted production and club-ready arrangements overlap. It is a lane that speaks to contemporary dancefloors while remaining open to listeners coming from house, breaks, bass and more leftfield electronic scenes.

The alias also reflects a wider pattern in modern UK club culture: artists moving fluidly between roles as singer, producer and DJ rather than keeping those functions separate. In 1111’s case, that multi-role identity is central to the project’s shape.

In breakbeat terms, the clearest marker in the current catalogue is “Wicked & Crisp”, released via Fly Boy Records. The track helps locate 1111 within a present-day ecosystem of labels, DJs and producers keeping breakbeat connected to wider bass music and crossover club forms.

That same title also circulated in remixed form as “Wicked & Crisp (Eloquin Extended Remix)”, reinforcing the project’s compatibility with DJ culture and with producers working across adjacent bass and breaks territory. The remix context suggests a catalogue designed to travel through sets rather than remain fixed in a single stylistic box.

Taken together, those releases frame 1111 as an artist working with broken-beat energy in a contemporary, streamlined way rather than through retro reconstruction. The emphasis is on tension, movement and vocal presence inside a modern club framework.

Though still best understood as a current-era act rather than a legacy name, 1111 already shows traits that matter in today’s scene: a recognisable vocal signature, adaptable productions and enough rhythmic definition to connect with breakbeat selectors.

As the catalogue develops, 1111 stands as a contemporary UK electronic project whose relevance to breakbeat comes not from revivalism, but from folding broken rhythms into a wider, modern club language.